Dramatic tension for the audience Essay Example for Free

Dramatic tension for the audience Essay In the play, A View From The Bridge, Arthur Miller gave the audience an impression that the Italian immigrants werent welcome to the USA. The scene is set in New York and it relates to six main characters, who are all individuals and play unique roles. Arthur Miller was born on October 17th in 1915 in New York City. He was a prominent figure in American literature and his career as a writer spanned over seven decades. He is considered by audiences as one of Americas greatest play writers, and his plays are widely recognised throughout the world. The play is set in Red Hook. The main focus and stage is the Carbones living and dining room. Alfieri thinks that the public do not appreciate lawyers or priests because he says You see how uneasily they nod to me? Thats because I am a lawyer. In this neighbourhood to meet a lawyer or a priest on the street is unlucky. Were only thought of in connection with disasters, and theyd rather not get too close. A slight of distrust lies in the neighbourhood because he can sense that the law wasnt an amicable idea since the Greeks were beaten. People have told him that the neighbourhood lack an element of elegance and glamour. The neighbourhood consisted of longshoremen and their wives and fathers and grandfathers and poor people. Red Hook was considered quite a dangerous place but now its quite civilized, quite American. Alfieri can foretell the rest of story as he tells the audience that they should watch the situation run its bloody course, and followed that by introducing Eddie Carbone by saying this ones name was Eddie Carbone. The way Arthur Miller uses Alfieri to say this ones, shows that Alfieri has seen this many times before and is giving us a hint that the play is not going to end well. Eddie is introduced on stage by pitching coins with the men, in which he highlighted from them, He is forty-a husky, slightly overweight longshoreman. When Eddie enters his apartment and meets Catherine, there is quite a friendly atmosphere but this changes quickly when Eddie criticizes the way Catherine walks and her appearance. The conversation ends when Eddie says that Beatrices cousins are coming. Here we can get the feeling that Eddie has undiscovered sexual feelings and is very possessive over Catherine. While the family were waiting for Beatrices cousins, Eddie is telling the story of Vinny Bolzano. The story has a significant importance because this play also has a similar story as Bolzano. Miller uses Eddie as the person who informs the immigration about Beatrices cousins (just like the young boy did to his uncle in Bolzanos story). Marco appears to be suspicious initially. He is quite stiff towards Eddie and gives him control of when he requires them to leave. There is an instant reaction where Rodolfo is introduced, we can see Catherine is attracted by his appearance, she asked him many questions like How come hes so dark and youre so light, Rodolfo (you can see how she just addressed the question directly to Rodolfo). Catherine also is astonished, as she said to Beatrice Hes practically blond! . Eddie however assumes that he is homosexual because he has blond hair and sings the song Paper Doll. Eddie doesnt understand the law because he doesnt see the need of obtaining evidence to prove Rodolfo guilty. He just assumes that Rodolfo wants to marry Catherine for the right to stay and become an American citizen. It is difficult for Eddie to express his emotions because he has intimate feelings towards Catherine. Alfieris advice to Eddie was to inform the immigration as to how Beatrices cousins entered the country illegally. Initially Eddie is shocked at the advice and says Oh, Jesus, no, I wouldnt do nothin about that. Alfieri also advised Eddie to learn to let Catherine go. He says The child has to grow up and go away, and the man has to learn to forget. Eddie does not want to let Catherine go. This could result in two endings, either Eddie snitches on Rodolfo and Marco or lets his niece live her life the way she wants to. Catherine starts off a conversation about the places where Marco and Rodolfo have been to. Eddie doesnt seem too convinced when Catherine says theyve been to Africa, and says its true Eddie. Miller uses his stage directions to show that Eddie is only asking Marco about the places they have visited. Then the conversation diverts to Catherine asking Eddie about oranges and lemons growing on trees. Eddie replies directly to Marco. He becomes very aggressive and rude when Rodolfo intervenes. Eddie gets very hostile and snaps back at Rodolfo by saying I know lemons are green, for Christs sake, you see them in the store theyre green sometimes. I said oranges they paint, I didnt say nothin about lemons. . Another incident rises when Eddie has a conversation about how he can teach boxing to Rodolfo. Eddie picks on Rodolfo and tries to intimidate and patronise him. They both throw in some light punches but Eddie gets carried away and grazes Rodolfo. Catherine is astonished and Eddie replies Why? I didnt hurt him. Did I hurt you kid? . Marco had realised that Eddie was bothered by Rodolfo. Marco showed his strength towards Eddie by raising the chair over his head. He does this to make Eddie aware that if anything happens to Rodolfo, Eddie will have to pay the consequences. Arthur Miller shows that Marco has had enough and understands whats going on, the stage directions describes Marco with a strained tension gripping his eyes and jaw, his neck stiff, he also used a simile the chair raised like a weapon over Eddies head. Eddie then realises what Marco meant, his grin vanishes as he absorbs his looks. . This shows us that Marcos hamartia is Rodolfo.

Existentialism Essay -- essays research papers

Existentialism, which spread rapidly over continental Europe after the First World War, is essentially the analysis of the condition of man, of the particular state of being free, and of man's having constantly to use his freedom in order top answer the ever- changing and unexpected challenges of the day. According to the Existentialists, the starting point of every philosophical investigation is concrete human existence. That means that human personality in itself should point the way to the absolute value of reality. A single definition of existentialism is impossible. Definitions, provided by dictionaries are only part of what existentialism is about. †¦central to each definition is the assertion that existentialism is a theory or statement about the nature of man's existence. (1) The term is so difficult to define because, unlike other terms, existentialism is not universal. In other words, there are no two existentialists, which share exactly the same values or beliefs. Al though, here is one major theme: a stress on individual existence, subjectivity, individual freedom, and choice. There are two kinds of existentialist; first those who are Christian, and on the other hand the atheistic existentialists. Many unfamiliar with the subject people associate existentialism with atheism, but they are wrong. The truth is that the majority of existentialists are not atheists. Sartre, which we place among atheists, stress that central concern of philosophy is human existence. He says that human being is a special kind of consciousness (being-for- itself). Everything else is matter (being-in-itself). He believes that human being has no God-given essence and is absolutely free and absolutely responsible. According to him, anguish is the result of the absolute freedom and responsibility. He also says that human existence is absurd and unjustified. Therefore, the goal of human being is to justify his/her existence.(2) Sartre believes that there are those in our history who have established a religion to reassure nothing more than what he calls a "fundamental project ." That means that when we become anguished by the affairs of life we pursue a fundamental project in attempt to flee this anguish. He says that we try to make ourselves Gods in hopes that others would see us divine, and hold us in higher regard. To pursue a fundame... ...ice and this choice was his and his alone. This shows us again that we always have choices, no matter what we might use as an excuse. 1) Barnes, Wesley. "Is Existentialism Definable?" The Philosophy and Literature of Existentialism. Woodbury: Barron's Educational Series, Inc., 1968 2) Douglas W. Shrader, Ashok K. Malhotra. "Pathways To Philosophy". Prentice Hall, Upper Saddle River, New Jersey, 1996. p. 83-86, 87-93, 97-100 3) Sartre'sThoughtsOnPersonality,http://library.thinkquest.org/18775/sartre/pers.htm 4) As above 5) Roberts, David E. "Introduction" Existentialism and Religious belief" New York: Oxford University Press, 1959. 6) Robert C. Solomon. "The Big Qestions" Harcourt Brace College Publishers, New York, 1998, p.241-273. 7) Soren Kierkergaard,ysiwyg://16/http://www.fortunecity.com/263/exist/kierk.html 8) Existentialism And Soren Kierkergaard, http:www.tameri.com/csw/exist/kierk.html.

My father had told me that I should consider first my budget

I am so excited in buying my first car. Can’t wait to drive it! As I was browsing through catalogues and asking friends and family I’ve learned that there are factors that I have to consider in purchasing a car. I thought it was as easy as buying a chocolate bar at the store. My father had told me that I should consider first my budget. What’s the budget I’ve allotted for my car? It was only then that I had thought about it. It seems that my budget won’t match the car I’ve dreamed of buying.So my father told me to think of the other factors, such as, look for a car that would fit my budget. Next is the quality of the car, like the engine and the body; and lastly are the features of the car. What I did was look through the catalogues and brochures again. Write on a piece of paper the features I like and the kind of engine that fits my lifestyle. On the other side are the features of the cars I’m looking at. Cross out the things that I d on’t like, and left out what I like and the things that match them.It was only then that I was able to choose the car that I’ll be purchasing. But there are three choices left, which I really have to think about and consider. I again consulted my father about it to finalize my decision. He told me to go and check out the cars that are in my list, â€Å"Once you’re there and check them you’ll know which one is for you. † And I did went to check the cars out. I wasn’t able to see the third choice for when I saw the second car I knew it was for me.As if it was calling me, when I approached it to check out the seats, the interiors and engine, I didn’t waste any time at all and spoke to the car salesman. That afternoon I negotiated with the salesman and was able to purchase the car less than my budget. I felt so accomplished and victorious. The salesman told me to go back after a few days for the car. I called my father while I was walking out of the office, telling him what happened. He was just laughing while I was talking.I kept on talking as if I didn’t hear he was laughing on the other line. When I was finished he said, â€Å"That’s what I was telling you. Now you know what I was saying. And I can say that you’re too proud and happy that you were able to purchase your first car on your own. † When I heard that I just nodded and said, â€Å"Thank you very much, Dad. I love you. † It was such a fulfilling feeling that, I won’t forget that experience. I go with the same process every time I would purchase something. I’ve learned a lot from my father.

Siddharthas Spitiual And Intellectual Growth Essay

Siddharthas Spiritual And Intellectual Growth In Siddhartha by Herman Hesse, a young Brahmin in the wealthier part of India, approximately three thousand years ago, decides to set a goal onto his life. He decides to journey along the path of enlightenment and reach Nirvana, a state of total bliss. His dear friend, Govinda, accompanies him on this journey. Siddhartha sets out to seek the path to enlightenment, but it is long and difficult. Along the way, he grows spiritually and intellectually from a young seeking Brahmin, to an old, wise, and content ferryman with the knowledge of†¦show more content†¦After three years, Siddhartha realizes that he is not progressing toward his goal. He had learned all the Samanas could teach, and he lost himself a thousand times and for days on end he dwelt in non-being. But although the paths took him away from Self, in the end they always led back to it (15-16). Siddhartha discovers this was not the path he sought; escaping from ones Self did not bring one to salvation. His wisdom gre w when he accepted there was another path and this short escape from Self is experienced by others in a quite different way such as people who drink numbing their senses like he did with the Samanas. He sees that in truth, there is no learning and that his questioning and thirst for knowledge could not be satisfied by teaching. Seeking another path, Siddhartha hears of a Buddha named Gotama, and with Govinda, who also chooses to leave, ventures to see him. After a short journey, Siddhartha and Govinda arrive at the resting place of the Buddha and meet many others who had also come to hear him preach. After one of the Buddhas speeches, Govinda chooses to diverge from Siddharthas path and follow the path of the Buddha with many other followers and is shocked when Siddhartha refuses to. Before leaving, Siddhartha meets and talks with the Buddha face-to-face seeking console. Siddhartha says to the Buddha, You

Le Moulin De La Galette - 1551 Words

Le Moulin de la Galette was painted in France by Vincent Van Gogh in 1887. This particular iteration of Le Moulin de la Galette is just one of many in a series done by Van Gogh. This piece depicts a beautiful scene of Montmartre in Paris. The background of this work appears to be a deep blue Paris sky during the day. However, what immediately allures the viewer’s eye is the Moulin de Blute-Fin, which is a large decommissioned windmill located in the upper-center-right portion of the canvas. Anterior to the Moulin de Blute-Fin is a mixture of fences gardens, sheds, and shacks scattered about the hill. In addition to the Moulin de Blute-Fin, a much smaller windmill, the Moulin à   Poivre, can be found on the left side of the canvas. If one close enough they will also notice a man standing near the frontmost fence. One wouldn’t be able to tell what exactly that man is doing, but while observing the painting in person, it is clear that he is painting. The bottom half of the portrait is filled entirely green grass, dainty bushes, yellow flowers, and other foliage. Finally, towards the very bottom of the canvas the blades of grass and flowers appear much more detailed than those above it. Their thick and deliberate brushstrokes allow them to appear much closer to the viewer than the rest of the shrubbery. Vincent van Gogh was born in Groot-Zundert, Netherlands on March 30, 1853. Van Gogh’s love, knowledge, and understanding of art can best be credited to his uncle. His uncle, whoShow MoreRelatedClaude Monet s The Impressionist Era984 Words   |  4 PagesMonet, as well as Bazille and Sisley (). Similar to Monet, Renoir also practiced en plein air. In Renoir s early works, he would paint figures, mostly women, and used bright colors with short disconnected brush strokes. Renoir s Dance at le Moulin de la Galette painted in 1876 is noted as one of Renoir s most important works and showcases his impressionist art style (Figure 2). 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Rights of Indigenous Australians - 755 Words

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The Return Shadow Souls Chapter 40 Free Essays

Matt and Mrs. Flowers were in the bunker – the addition to the house that Mrs. Flowers’s uncle had put onto the back for woodwork and other hobbies. We will write a custom essay sample on The Return: Shadow Souls Chapter 40 or any similar topic only for you Order Now It had fallen into even more neglect than the rest of the house, being used as a storage space for things Mrs. Flowers didn’t know where else to put – such as Cousin Joe’s folding cot and that old sagging couch that didn’t match a stick of furniture inside anymore. Now, at night, it was their haven. No child or adult from Fell’s Church had ever been invited inside. In fact, except for Mrs. Flowers, Stefan – who’d helped move large furniture into it – and now Matt, no one had even been in for as long as Mrs. Flowers could remember. Matt clung to this. He had been, slowly but surely, reading through the material Meredith had researched and one precious excerpt had meant a lot to him and Mrs. Flowers. It was the reason they were able to sleep at night, when the voices came. The kitsune is often thought to be a sort of cousin to Western vampires, seducing chosen men (as most fox spirits take on a female form) and feeding directly on their chi, or life spirit, without the intermediary of blood. Thus one may make a case that they are bound by similar rules to the vampire. For example, they cannot enter human dwellings without invitation†¦ And oh, the voices†¦ He was profoundly glad now that he’d taken Meredith and Bonnie’s advice and gone to Mrs. Flowers’s first before going home. The girls had convinced him he’d only be putting his parents in danger by facing up to the lynch mob that awaited him, ready to kill him for allegedly assaulting Caroline. Caroline seemed to have found him at the boardinghouse immediately, anyway, but she never brought any kind of mob with her. Matt thought that perhaps it was because that would have been useless. He had no idea what might have happened if the voices had belonged to ex-friends long ago invited to his house while he was at home. Tonight†¦ â€Å"Come on, Matt,† Caroline’s voice, lazy, slow, and seductive purred. It sounded as if she were lying down, speaking into the crack under the door. â€Å"Don’t be such a spoilsport. You know you have to come out sometime.† â€Å"Let me talk to my mom.† â€Å"I can’t, Matt. I told you before, she’s undergoing training.† â€Å"To be like you?† â€Å"It takes a lot of work to get to be like me, Matt.† Suddenly Caroline’s tone was not flirtatious any longer. â€Å"I bet,† Matt muttered, and added, â€Å"You hurt my family and you’re going to be sorrier than you can imagine.† â€Å"Oh, Matt! Come on, get real. Nobody is going to hurt anybody.† Matt slowly opened his hands to look at what he had clenched between them. Meredith’s old revolver, filled with the bullets blessed by Obaasan. â€Å"What is Elena’s middle name?† he asked – not loudly, even though there were the sounds of music and dancing in Mrs. Flowers’s backyard. â€Å"Matt, what are you talking about? What are you doing in there, making a family tree?† â€Å"I asked you a simple question, Care. You and Elena played since you were practically babies, right? So what is her middle name?† A flurry of activity. When Caroline finally answered he could clearly hear the whispered coaching, as Stefan had heard so long ago, just a beat before her words. â€Å"If all you’re interested in is playing games, Matthew Honeycutt, I’ll go find someone else to talk to.† He could practically hear her flounce away. But he felt like celebrating. He allowed himself a whole graham cracker and half a cup of Mrs. Flowers’s homemade apple juice. They never knew when they might be locked in here for good, with only the supplies they had, so whenever Matt went out of the bunker he brought back as many things as he could find that might be useful. A barbeque lighter and hairspray equaled a flame thrower. Jar after jar of Mrs. Flowers’s delicious preserves. Lapis rings in case the worst happened and they ended up with pointy teeth. Mrs. Flowers turned in her sleep on the couch. â€Å"Who was that, Matt dear?† she asked. â€Å"Nobody at all, Mrs. Flowers. You just go back to sleep.† â€Å"I see,† Mrs. Flowers said in her sweet-old-lady voice. â€Å"Well, if nobody at all comes back you might ask her her own mother’s first name.† â€Å"I see,† Matt said in his best imitation of her voice and then they both laughed. But underneath his laughter there was a lump in his throat. He had known Mrs. Forbes a long time, too. And he was scared, scared of the time that it would be Shinichi’s voice calling. Then they were going to be in trouble for good. â€Å"There it is,† shouted Sage. â€Å"Elena!† screamed Meredith. â€Å"Oh, God!† screamed Bonnie. The next instant, Elena was thrown, and something landed on top of her. Dully, she heard a cry. But it was different from the others. It was a choking sound of pure pain as Bloddeuwedd’s beak thunked into something made of flesh. Me, Elena thought. But there was no pain. Not†¦me? There was a coughing sound above her. â€Å"Elena – go – my shields – won’t hold – â€Å" â€Å"Damon! We’ll go together!† Hurts†¦ It was just the shadow of a telepathic whisper and Elena knew Damon didn’t think she’d heard it. But she was circling her Power faster and faster, done with deception, caring only about getting those she loved out of danger. I’ll find a way, she told Damon. I’ll carry you. Fireman’s lift. He laughed at that, giving Elena some hope that he wasn’t dying. Now Elena wished she’d taken Dr. Meggar in the carriage with them so he could use his healing powers on the injured – – and then what? Leave him to the mercies of Bloddeuwedd? He wants to build a hospital here, in this world. He wants to help the children, who surely don’t deserve all the evils that I’ve seen visited on them – She shunted the thoughts aside. This was no time for a philosophical debate about doctors and their obligations. It was time to run. Reaching behind her, she found two hands. One was slick with blood so she reached farther, thanking her late mother for all the ballet lessons, all the children’s yoga, and she grabbed the sleeve above it. And then she put her back into it and pulled. To her surprise she hauled Damon up with her. She tried to heft him farther up on her back, but that didn’t work. And then she even managed a wobbly step forward, and another – And then Sage was there picking both of them up and they were going into the lobby of the building of the Shi no Shi. â€Å"Everyone, get out! Get out! Bloddeuwedd’s after us and she’ll kill anything in her way!† Elena shouted. It was the strangest thing. She hadn’t meant to shout. Hadn’t formulated the words, except perhaps in the deepest parts of her subconscious. But she did shout them into the already frenzied lobby and she heard the cry taken up by others. What she didn’t expect was that they would run, not out into the street, but down toward the cells. She ought to have, of course, but she hadn’t. And then she felt herself and Sage and Damon going down, down the way they had last night†¦ But was it really the right way? Elena clamped one hand over the other and saw, judging by foxlight, that they needed to head off to the right. â€Å"WHAT ARE THOSE CELLS TO THE RIGHT OF US? HOW DO WE GET THERE?† she shouted to the young vampire gentleman next to her. â€Å"That’s Isolation and Mentally Disturbed,† the vampire gentleman shouted back. â€Å"Don’t go that way.† â€Å"I have to! Do I need a key?† â€Å"Yes, but – â€Å" â€Å"Do you have a key?† â€Å"Yes, but – â€Å" â€Å"Give it to me now!† â€Å"I can’t do that,† he wailed in a way that reminded her of Bonnie at her most difficult. â€Å"All right. Sage!† â€Å"Madame?† â€Å"Send Talon back to peck this man’s eyes out. He won’t give me the key to Stefan’s ward!† â€Å"As good as done, Madame!† â€Å"W-wait! I cha-changed my mind. Here’s the key!† The vampire fished through a ring of keys and handed one to her. It looked like the other keys on his ring. Too much alike, Elena’s suspicious mind said. â€Å"Sage!† â€Å"Madame !† â€Å"Can you wait till I pass with Saber? I want him to tear the you-know-what off this guy if he’s lied to me.† â€Å"Of course, Madame!† â€Å"W-w-w-wait,† gasped the vampire. It was clear that he was completely terrified. â€Å"I may – may have given you the wrong key – in this – this light – â€Å" â€Å"Give me the right key and tell me anything I need to know or I’ll have the dog backtrack you and kill you,† Elena said, and at that moment, she meant it. â€Å"H-here.† This time the key didn’t look like a key. It was round, slightly convex, with a hole in the middle. Like a donut that’s been sat on by a police officer, part of Elena’s mind said, and began laughing hysterically. Shut up, she told her mind sharply. â€Å"Sage!† â€Å"Madame?† â€Å"Can Talon see the man I’m holding by the hair?† She had to go on tiptoe to grasp him. â€Å"But of course, Madame!† â€Å"Can she remember him? If I can’t find Stefan I want her to show him to Saber so he can track him.† â€Å"Uh†¦ah†¦got it, Madame!† A hand, dripping blood from the wrist, lifted a falcon high, at the same time as there was a serendipitous crash from the top of the building. The vampire was almost sobbing. â€Å"Turn r-right at the n-next right. Use the k-key in the slot at h-head height to g-get into the corridor. There m-may be guards there. But†¦if – if you don’t have a key to the individual cell you want – I’m sorry, but – â€Å" â€Å"I do! I have the cell key and I know what to do after that! Thank you, you’ve been very kind and helpful.† Elena let go of the vampire’s hair. â€Å"Sage! Damon! Bonnie! Look for a corridor, locked, going right. Then don’t get swept away. Sage, hold Bonnie and have Saber bark like crazy. Bonnie, hold on to Meredith in front of the guys. The corridor leads to Stefan!† Elena never knew how much any one of her allies heard of this message, sent by voice and telepathy. But ahead she heard a sound that to her was like choirs of angels singing. Saber was barking madly. Elena would never have been able to stop by herself. She was in a raging river of people and the raging river was taking her right around the barrier made by four people, a falcon, and a mad-seeming dog. But eight hands reached out to her as she was swept by – and a snarling, snapping muzzle leaped ahead of her to divide the crowd. Somehow she was being run into, bruised, cradled, shoved, and, grasped and grasping, forced all the way to the right wall. But Sage was looking at that same wall in despair. â€Å"Madame, he tricked you! There is no keyhole here!† Elena’s throat went raw. She prepared to shout, â€Å"Saber, heel,† and go after the vampire. But then, just below her, Bonnie’s voice said, â€Å"Of course there is. It’s shaped like a circle.† And Elena remembered. Smaller guards. Like imps or monkeys. Bonnie’s size. â€Å"Bonnie, take this! Shove it into the hole. Be careful! It’s the only one we’ve got.† Sage immediately directed Saber to stand and snarl just ahead of Bonnie in the tunnel, to keep the stream of panicked demons and vampires from jostling her. Carefully, solemnly, Bonnie took the large key, examined it, cocked her head, turned it in her hands – and placed it in the wall. â€Å"Nothing’s happening!† â€Å"Try turning or pushing – â€Å" Click. The door slid open. Elena and her group more or less fell into the corridor, while Saber stood between them and the herd pounding by, barking and snapping and leaping. Elena, lying on the ground, legs entwined with who-knew-who-else’s, cupped a hand around her ring. The fox eyes shone straight ahead and a bit to the right. They were shining into a cell ahead. How to cite The Return: Shadow Souls Chapter 40, Essay examples